After winning the local event, I was asked to compete in the National competition, which was held at The Library Theatre Solihull.  I played the Yamaha HS8 and came second, winning £125 which, at that age, was like winning the Lottery!  I then entered the Wersi competition, winning the local event.  At that time, we didn’t know but the competition was going to go further.  A week after winning I got a call from Aura Sounds, Purley, to ask would I compete in the Wersi European finals to be held at FRANKFURT - all expenses paid for me and Dad.

We went over and I gained second place (again) winning a Wersi Prisma organ.  When we got home Dad built it and that’s the setup I used, with a Technics KN800, for the next three years.

At the age of 14, I also entered the Cinema Organ Society competition held at Gunton Hall.  I played one slow piece and one fast piece and won.  Dad was hoping that it would lead me into the Theatre organ circuit but, although I loved the sound of the Wurlitzers - especially when played by Robert Wolfe - I didn’t have the passion for it and didn’t take that path any further.

At seventeen, we had heard if you want to get on to the Organ circuit the best place to play would be somewhere called Caister.  I  had already sent off letters to all the leading manufacturers to ask if they needed a demonstrator, but the only reply I got was from Brian Price of BOHM to say “We don’t need anyone at the moment, but good luck for the future”,  which I appreciated.  I also sent off 40 letters to Organ Societies asking for a chance of appearing at their club. Looking back, I don’t remember getting any replies to my letters so the next course of action was to find out if I could get a spot at Caister.  I got in touch with Grant Neal and he said I could start off an evening concert for 25mins. We turned up at Caister the day before, trundled our Organ (which was now a Yamaha HX1) into our chalet and practised and practised so when I did eventually play I would be as sharp as I could be.  Unfortunately, we got complaints from other chalets and had to turn the organ off!  The day had come for me to play my first spot at Caister.  I received a standing ovation and suddenly a lot of the people I had written to were now offering me concerts, so playing at Caister really did kick start my career.

The next year (now aged 18) I was playing around 30 concerts for the year as well as a full time job in my Dad’s Billposting company.  I was working for Dad from age 17 to 21, because I still didn’t have enough concerts to do it full time.  When I reached 21, with four years’ manual labour and trying to play concerts in the evening, my hands were starting to suffer so Dad and I had a talk and decided that I should leave his Company and try to make my living solely from music - a good move.
 

At 22 I got a call from Grant Neal – “Do you want to play on the Blackpool Wurlitzer?”  As I’ve said earlier, I was not 100% into the theatre organ but loved the sound and just couldn’t turn down an offer like that.  It is an amazing experience to rise out of the floor on the famous organ. I played for 20 minutes and found the organ very easy to play, not like a normal theatre organ where there is a lot of delay after pressing the notes - the sound was instant due to all the speakers I was surrounded by.

The same year I got a telephone call from Zurich - would I play for the Swiss Organ Festival? I agreed and went over to Lenk.  I really did enjoy myself in Switzerland and, again, it was all adding to my experiences,  At this time (1997) Klaus Wunderlich was still alive and my ambition was to meet my idol and talk with him.  I went back over to Switzerland in November of that year, having had a call in the August of that year, and was told by friends it would be possible to meet up with Klaus when I come over to pla.  Sadly, in October 1997 Klaus passed away, aged only 66. I was devastated.  I had been listening to his music ever since I started playing and believed his recordings were getting better. That may sound a strange thing to say about a man such as Klaus, but in his later years he did not have a record contract and was only recording what he loved to play personally. Concerto Grosso was to be his last ever recording and I sit back and listen in amazement to the skill and talent that man had.

I get asked frequently what I listen to when I’m not playing, and a lot of people are surprised when I say Klaus.  I do listen to other music but he has to be top of my list and always will be.

I have been to Switzerland 5 times now, played the Blackpool Wurlitzer twice, am performing over 100 shows a year and enjoy my job more now than ever.

Recently I was proud to receive the Trophy for the Keyboard/Organist of the Year 2003-4 and would like to thank all those who voted for me.
 

I live in a nice part of the world - North Yorkshire - but just a little bit far for all the driving I do, have a lovely wife, Louise, and two wonderful boys, Charlie and Matthew.