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Tim
Flint, born in Belper, Derbyshire in 1964, started playing the organ at
the age of twelve, after showing a great interest in music at school,
and even playing the drums in the schools orchestra.
His keyboard experience started off on a very small chord organ,
and he started taking lessons from a local organ teacher.
Tim turned out to be a very fast learner, and very soon, his
teacher suggested that Tim really needed an instrument with two manuals
and pedal board. Tim
soon showed a flair for playing, and when his teacher started to take
his pupils out to give performances at disabled centres or senior
citizens homes, Tim was always there, not only showing a flair for
playing, but also ‘communicating’ with his audience.
From there, things very quickly moved
on, and after around eighteen months, Tim’s teacher said that he
really couldn’t do any more for him.
So over the next few years, as well as graduating through several
models of organ, Tim kept developing his playing skills, and style,
until he was able (after a couple of ‘proper jobs’) to turn fully
professional. He very
quickly gained popularity on the organ circuit, and over the years has
played at most of the organ clubs/societies around the UK as well as
playing at many of the organ festivals, both in the UK, and overseas. Tim
is also pleased to say that over the years, he has worked with whom he
considers to be ‘the best’, including such names as the late great
Bryan Rodwell and Jerry Allen.
As
well as being one of the busiest travelling organists in the UK, Tim is
also an examiner for ICMA (Independent Contemporary Music Awards), and
also teaches his own pupils on a one to one basis. In
addition to all this, in 1995, he became concert player and demonstrator
for the ROLAND ATELIER organs in the UK.
As an entertainer, he is larger than life, a big man (standing around 6’2”) who over the years has earned himself a reputation for flamboyance, usually seen in his evening performances wearing various sparkling outfits of different styles and colours, flowing capes etc, and his ability to ‘communicate’ and ‘interact’ with the audience (not forgetting his very quick wit and humour) is widely recognized, making the whole experience ‘unforgettable’. Tim
now travels with a Roland Atelier AT80S or AT90S, plus stage mirror.
He
has eight recordings to date inc’; Sparkling Contrasts, Too
Marvellous For Words, The Show Tunes...And Then
Some, Flintasia, Flintastic, Walk Between Raindrops
and his latest release which is called Goldrush. In
2001, Tim also started
organising his own organ & keyboard
festivals, which he is calling ‘SUPERIOR HOTEL BREAKS WITH TIM FLINT
& FRIENDS’. These are smaller events, generally taking 100 or so
guests, and the emphasis is on a holiday in high quality hotels with
lovely surroundings, good food, good service, and of course – good
music. For more information, please click on the link at the top of this
page, or - quicker still - click here. Of course, Tim has also become one of the most popular organists in the country, for his playing, his extraordinary flamboyant outfits, and his rapport and quick wit. Audiences immediately warm to his personality, and he even has his own UK fan club. So if you get the chance, why not do yourself a favour sit back and enjoy the big man with big outfits and a big personality, the one and only...
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GOLDRUSH - a brand new CD from Tim Flint is now available. On this fabulous recording, Tim plays the new Roland Atelier AT90SL Tracks include: A Bridge Too Far, Pure Imagination, Intermezzo from Cavalleria Rusticana, Have you Met Miss jones? Your Eyes in Mine, People, Where or When, Theatre organ selection ... Plink Plank Plonk, Friendly Persuasion, The Trolley Song. Price £11.75 inc p&p Please make cheque payable to 'Tim Flint' - address as below |
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